Wax printing is an ancient handicraft in China, which dated back to Qin and Han Dynasties (221 BC篓C 220 AD). The hand-made wax printing technique had been lost through civilization except those preserved by the Miao ethnic group located in the remote mountainous area of Southwest China (primaryly Guizhou, Sichuan, and Yunan).
To produce this beautiful artwork, artist needs to place the wax on a piece of cotton cloth by using a specifically made wax knife for the desired pattern, and then to dye the cloth for the colour, followed by melting the wax.
Wax printing has been recognized as the foundation of ancient Chinese civilization in dyeing and weaving technology. United Nation Educational, Scientific and Cultural Organization (UNESCO) has recently reported to the United Nation (UN) the Miao costume decorations as one of the world cultural relics, including the traditional Miao wax printing.
The Miao batik designs are plain, naive, rough and powerful. Its shapes, not confining itself to exact details of natural images, are boldly diversified and exaggeratedly drawn. The diversity and exaggeration is out of pure imagination, and infinitely breathtakingly charming. The diversified designs are in geometric shape and that of natural images, which generally stem from human life or elegant legends and characterized with rich folk color. Batik is both a kind of ancient art and young and modern art. Its summarized succinct modeling, the pure bright color and the exaggeratedly-distorted decorative design meet the need of modern life, therefore, suit the modern aesthetic requirements.
70*170cm centimeter
Artistic & Historical Background:  Listen
This artwork is a handmade Chinese cloth tapestry called "Confucius by Miao Tribe".
It depicts Confucius and his stories, showcasing his portrait and spirit through traditional Chinese embroidery techniques.
Confucius was a great ancient Chinese thinker, educator, and politician whose ideas have had a profound impact on China and the world.
In this tapestry, we can see Confucius' solemn and kind face, with deep and wise eyes that seem to communicate with the viewer.
His image is portrayed in a very lifelike manner.
In addition to Confucius' image, the tapestry also shows some scenes and stories related to him.
For example, there are students asking Confucius questions and listening attentively to his teachings.
These scenes vividly demonstrate Confucius' educational philosophy and his love for his students.
The design of the entire tapestry is simple yet exquisite, with bright and harmonious colors.
It not only has artistic value but also carries the essence and historical significance of Chinese traditional culture.
By appreciating and studying this artwork, we can better understand Chinese cultural traditions and values.
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