Size:10"*20" Material:cloisonne Origin:Beijing Cloisonne is a unique art form that originated in Beijing during the Yuan Dynasty (1271 - 1368). In the period titled 'Jingtai' during the Ming Dynasty (1368 - 1644), the emperor who was very much interested in bronze-casting techniques, improved the color process, and created the bright blue that appealed to the Oriental aesthetic sense. After a processing breakthrough, most articles for his daily use were made of cloisonne; in time cloisonne became popular among the common people; their favorite called 'Jingtai Blue'. During the reigns of Emperors Kangxi and Qianlong of the Qing Dynasty (1644 - 1911), cloisonne improved and reached its artistic summit. Colors were more delicate, filigrees more flexible and fluent, and scope was enlarged beyond the sacrifice-process wares into snuff bottles, folding screens, incense burners, tables, chairs, chopsticks, and bowls. Cloisonne manufacture is comprehensive and sophisticated, combining the techniques of making bronze and porcelain ware, as well as those of traditional painting and sculpture: Model hammering: The process is to form copper pieces into various shapes with a hammer according to a design, joining them under high temperature. Filigree welding: In filigree welding the artist pinches and curves copper filigree into delicate flower patterns, pasting them onto the copper molds. Possibly the most challenging step of the procedure, heating to 900 degrees centigrade, firms the metal. Enamel filling: Through this interesting procedure, the cloisonne wears a colored wrap. Handicrafts specialists fill enamel glaze into lattices formed by fine-spun filigrees. Just one filling is not enough - the filigrees extrude, and the surface is dull. They have to fuse powdery glaze in the smelter at 800 degrees centigrade, then take the object out and repeat the process three or four times until its surface becomes smooth. Surface polishing: Seeking smooth surfaces, artisans polish articles three times with grit or charcoal. The work requires extreme care. Gilding: After acid pickling, fluid gold adds elegance and civility to a cloisonne piece. Today cloisonne technique is associated with the sculpture of wood, jade, ivory and lacquer. Cloisonne art is exported to many countries as a favorite medium for ornaments.
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"The Art of Emperor Playing the Qin" is a Chinese colored glazed porcelain with gold inlay and silver lacquer ware, which showcases the unique charm of ancient Chinese culture.
This artwork is renowned for its exquisite craftsmanship, rich colors, and distinctive design.
Firstly, this artwork adopts the traditional craft of colored glazed porcelain with gold inlay and silver lacquer ware.
Colored glazed porcelain is a special type of ceramic product that decorates the surface of the porcelain by painting various patterns on it.
Gold inlay involves applying metal powder onto the surface of the porcelain and then firing it to create a decorative effect.
This technique makes the artwork highly durable and aesthetically pleasing.
Secondly, the artwork features a wide range of vibrant colors.
The artist uses various bright colors to depict the figures and backgrounds, infusing the entire painting with vitality and liveliness.
The color choices also reflect the aesthetic concepts and artistic styles of ancient Chinese culture.
Lastly, the design of this artwork is exceptionally unique.
The artist takes the theme of "Emperor Playing the Qin" and portrays the scene and atmosphere of the emperor playing the qin through meticulous depiction and superb skills.
This design not only has artistic value but also conveys the importance of music and art in ancient Chinese culture.
In conclusion, "The Art of Emperor Playing the Qin," a Chinese colored glazed porcelain with gold inlay and silver lacquer ware, is an artwork with rich spiritual and cultural connotations and historical significance.
It showcases the unique charm of ancient Chinese culture and provides us with a window into understanding ancient art and culture.
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