dimension:9"x10.5"x4.5"

material:cloisonne

origin:Shanghai

craft:Beijing is the cradle of cloisonne technique. The earliest and existing cloisonne is the product in Yuan dynasty, which we know it has nearly thousands-year history already. The Same as picture cloisonne were most of the archaized bronze ware, especially produced during the Xuande period of Ming dynasty is fine.

Cloisonne has another name inlaid enamel which is the unique technique of the combination of porcelain and bronze. We may say, the technique of cloisonne is used not only the bronze crafts, but also the porcelain crafts, meanwhile, fetching in plenty of traditional and carving technique, which is the combination of Chinese traditional arts.

Procedure of Cloisonne-making:

1. Base-hammering

This is, in fact, the work of a coppersmith. As copper is easily hammered and stretched, it is employed to make the body of Cloisonne. A sound judgment is required because this expertise determines the uniformity of thickness and weight. In contrast to the work of a coppersmith which is ended when the article is shaped, base-hammering is just the beginning of the process for making of Cloisonne.

2. Filigree Soldering

The second step can be compared to embroidery, as both require great care and high creativity. The only difference is that instead of embroidering on silk, the Cloisonne craftsman adheres copper strips onto the copper body. 1/16 inch in diameter, these strips are shaped into what the artisan requires, usually a complicated but complete pattern. With a blueprint in mind, the craftsman exerts his experience and imagination in setting the copper strips on the body.

3. Enamel Filling

Then comes enamel filling, which requires the application of such basic elements as boric acid, saltpeter and alkaline. Due to the different minerals added, Cloisonne appears different in color. Usually one with an excess of iron will turn gray; with uranium, yellow; with chromium, green; with bronze, blue; with zinc, white; and with gold or iodine, red. After the ores have been ground into fine powder and contained in plates, workers apply them to the small compartments separated by filigrees.

4. Enamel Firing

As you put the article to the crucible - in a moment the copper body will turn red. When firing, re-fillings are repeatedly required as the enamel in the small compartments will sink slightly after firing.

5. Polishing

To make the filigree and the filled compartments even, the artisan must then polish the half finished products again and again. First emery is used. Then the whole piece re-fired again and then a whetstone is employed for polishing. In the end, a piece of hard carbon is rubbed on the surface areas in order that the article will obtain some luster on the surface.

6. Gilding

Lastly, the article is placed in a bath of gold or silver fluid to which is applied changing electric current so as to keep the Cloisonne free from rust. Finally another electroplating and a slight polish are demanded for the exposed parts of the filigree and the metal fringes of the article.

Artistic & Historical Background:   Listen to it

The artwork is a rare dragon-headed colored porcelain teapot in China, which is renowned for its exquisite design and unique craftsmanship.

The body of the teapot is white, adorned with golden dragon patterns, which is a very ancient art form that represents the unique charm of Chinese ancient culture.

The handle of the teapot is golden, creating a striking contrast with the body and enhancing the overall artistic effect.

In addition, there are red flower patterns on the teapot, which appear particularly vivid against the white background.

This design not only embodies the elegance of traditional Chinese art but also showcases the artist's attention to detail and unique insights into color application.

Overall, this teapot is not only a practical household item but also an artistic treasure with profound cultural connotations and historical significance.

 Get Instant Answer about It