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Diameter: 33 Inches

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Artistic & Historical Background:   Listen to it

The traditional Chinese oiled paper umbrella is a unique art form in Chinese culture, rich in historical significance and spiritual connotations.

This type of umbrella is renowned for its exquisite craftsmanship, unique design, and exceptional functionality.

It is not only a practical rain accessory but also an artwork symbolizing elegance, nobility, and culture.

In ancient China, oiled paper umbrellas were widely used in various occasions such as court banquets, temple fairs, and folk activities.

They were usually made of bamboo, wood, or metal and covered with waterproof oiled paper.

These umbrellas had distinctive designs and were sometimes adorned with intricate patterns and characters, reflecting the aesthetic concepts and cultural traditions of that era.

Over time, the oiled paper umbrella evolved into a form of performance art known as "Chinese umbrella dance" or "stage performance umbrella."

In this type of performance, umbrella performers use their superb skills and coordinated movements to move the umbrella from one position to another while maintaining balance and stability.

This type of performance requires a high level of focus, flexibility, and coordination, making it a challenging art form.

Apart from being a form of performance art, oiled paper umbrellas also play important roles in other aspects.

For example, in some regions of China, people use them as sunshade tools to protect their skin from the harmful effects of sunlight.

Additionally, some artists use oiled paper umbrellas as creative materials to create unique artworks and decorations.

In conclusion, the traditional Chinese oiled paper umbrella is an art form rich in historical significance and spiritual connotations.

It is not only a practical rain accessory but also an artwork symbolizing elegance, nobility, and culture.

By appreciating and learning about this unique cultural art form, we can better understand the history and cultural traditions of China.

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