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Artistic & Historical Background:   Listen to it

Traditional Chinese Opera the Empty City Stratagem Costumes Peking Opera Hua Tan Apparel Garment and Headdress The traditional Chinese opera, also known as Peking opera, is a highly stylized form of theater that originated in Beijing during the late 18th century.

It combines music, singing, acting, and acrobatics to tell stories from Chinese history and mythology.

The costumes worn by the performers are an integral part of the art form, with each costume representing a specific character or role.

The empty city strategy is a technique used in traditional Chinese opera to create a sense of emptiness and mystery in the stage setting.

This is achieved through the use of minimal props and set design, allowing the focus to be on the performers and their movements.

The costumes worn by the performers are designed to convey different emotions and personalities, with each piece carefully chosen to enhance the story being told.

The costumes are often made of silk or other luxurious materials, and feature intricate embroidery and embellishments.

They are also adorned with symbolic accessories such as feathers, beads, and rings.

The headdresses worn by the performers are another important aspect of the traditional Chinese opera costume.

They are designed to complement the overall look of the performer and add to the overall aesthetic of the performance.

Some headdresses are elaborately decorated with feathers or other embellishments, while others are simple and understated.

In conclusion, traditional Chinese opera costumes are an essential part of the art form, providing a visual representation of the characters and their roles.

The empty city strategy and carefully chosen costumes help to create a sense of mystery and intrigue on stage, while the headdresses add to the overall aesthetic of the performance.

These elements combine to create a unique and captivating experience for audiences, showcasing the rich cultural heritage of China through its performing arts.

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