Handicraft: Well handmade by top traditional tailors team

Fabric: Various top traditional fabrics

Size: All sizes of the size chart are in stock. And you may choose your size based on it.

Color: If you like the same color as the picture, please select "Same as the picture". If you wish to change the main color, you may select another color based on our color chart.
Custom Size or Color: If you prefer to let our top traditional tailors specially customize it for you, you may select "Free Customization" on the size or color section and leave us a note containing your measurements of height, weight, bust, waist, hip or/and color requests on the order form. It can be completed in a week or less upon your request without extra cost!

Artistic & Historical Background:          Listen
The Number One Scholar Is Not Love is a classic Chinese Yue Opera that tells the story of a young scholar who falls in love with a beautiful woman but ultimately chooses to prioritize his studies.

The play is renowned for its intricate plot, stunning costumes, and masterful performances by its talented cast.

One of the most striking aspects of the play is the elaborate wedding attire worn by the male characters.

The bridegroom wears a red and gold robe adorned with intricate embroidery and a matching headpiece.

His outfit is designed to reflect his status as a scholar and his commitment to his studies.

Meanwhile, the female characters are dressed in elegant white gowns with flowing sleeves and delicate accessories.

Their outfits are also adorned with intricate embroidery and other embellishments.

The use of such elaborate clothing not only adds to the visual appeal of the play but also serves to convey important cultural and historical significance.

In ancient China, clothing was often used to express social status and personal identity.

By dressing their characters in ornate garments, the playwrights were able to create a sense of hierarchy and tradition within the society they were depicting.

Furthermore, the use of such intricate designs also reflects the importance placed on craftsmanship and artistry in traditional Chinese culture.

The embroidery and other embellishments used in the costumes were often created by skilled artisans who spent years perfecting their craft.

This dedication to detail and artistic expression can be seen throughout many aspects of Chinese culture, from calligraphy to painting to music.

In conclusion, The Number One Scholar Is Not Love is more than just a play; it is a window into the rich cultural heritage of China.

Its intricate costumes and masterful performances continue to captivate audiences around the world, reminding us of the beauty and complexity of this ancient civilization.