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Artistic & Historical Background:
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Escaping From the Temple is a classic Chinese Peking Opera that tells the story of a young monk named Xuanzang who sets out on a journey to India in search of Buddhist scriptures.
The play is renowned for its intricate choreography, stunning costumes, and masterful performances.
One of the most iconic elements of Escaping From the Temple is the Chou Garment, which is worn by the main character, Xuanzang.
This garment is made of silk and features intricate embroidery and patterns that reflect the character's personality and status.
It is also adorned with various accessories such as a red sash, a black hat, and a white scarf.
The headwear used in the play is also significant.
The Young Male Clothing is a traditional outfit worn by male actors during performances.
It consists of a long robe with a high collar and a wide belt.
The headwear used in this costume is called the "Jian" and it is made of silk or cotton.
It is often decorated with intricate patterns and designs that complement the overall look of the costume.
In addition to the clothing and headwear, there are other important elements of Escaping From the Temple that contribute to its cultural significance.
For example, the music played during performances is based on traditional Chinese instruments such as the erhu and pipa.
The dance movements are also carefully choreographed to convey the emotions and actions of the characters.
Overall, Escaping From the Temple is not only a beautiful piece of art but also an important part of Chinese culture.
Its rich history and cultural significance have made it a beloved tradition for generations of Chinese people.
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