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Artistic & Historical Background:
In 2015, the National Art Fund of China funded the "Peking Opera Masterpiece and Section Inheritance Project", which includes classic arias from "Farewell My Concubine".
These arias are one of the most representative and influential parts of Peking Opera, showcasing its unique charm and profound cultural heritage through elements such as music, singing, and performance.
Peking Opera is one of the representatives of traditional Chinese opera, originating in the Qianlong period of the Qing Dynasty.
It combines various art forms such as music, dance, and drama, with singing, recitation, acting, and acrobatics as the main means of expression.
The roles in Peking Opera are divided into four types: Sheng (male), Dan (female), Jing (painted face), and Chou (clown), each with their own unique performing style and techniques.
"Farewell My Concubine" is a classic work in Peking Opera, telling the love story between two heroic figures, Xiang Yu and Yu Ji.
This work showcases the complexity of human nature and the cruelty of society through delicate emotional descriptions and exquisite performance skills.
Its arias are also the essence of Peking Opera, including popular classics such as "The Yangtze River Flows East" and "Autumn Moon over the Han Palace".
In addition to "Farewell My Concubine", Peking Opera has many other classic works, such as "Dream of the Red Chamber", "The Palace of Eternal Youth", and "The Story of Xilou".
These works not only have high artistic value but also reflect the customs and lives of ancient Chinese society.
In conclusion, as an important part of traditional Chinese culture, Peking Opera has rich spiritual and cultural connotations and historical significance.
It is not only a cultural treasure of the Chinese people but also an important member of world cultural heritage.
By appreciating the arias and performances of Peking Opera, we can better understand the essence and charm of traditional Chinese culture.
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